The Fourth International Workshop on Craft and Emerging Forms of Organizing
December 11-13, 2026
Taipei, Taiwan
2026 International Workshop on Craft and Emerging Forms of Organizing
Theme: Craft and Emerging Forms of Organizing: Social Innovation, Aesthetic Practice, and Sustainable Governance in a Global Context
As modern societies grapple with digital acceleration, climate change, and the need for meaningful economic transformation, the “New Bauhaus” vision proposed by the European Union reinterprets the industrial mantra of “form follows function” into “form follows planet and society.” Within this framework, craft represents a relentless pursuit of quality, a profound understanding of materiality, and a responsible mode of production. It is not merely the manufacturing of objects but an organizational form of relationships: encompassing respect for historical traditions, connections to local communities, and a commitment to future environmental sustainability.
This workshop focuses on craft as a “transdisciplinary organizational practice.” We explore how craft serves as an assemblage bridging management, arts, design, placemaking, and sustainable transformation across different national and cultural contexts. Taipei and Taiwan provide a distinctive setting in which craft traditions, design, technology, social innovation, and circular-economy initiatives intersect.
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Craft as a medium for organizational resilience and economic transformation: Exploring how the spirit of craft may guide sensemaking in turbulent environments and revalue human skill amid automation and digital change.
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Craft and local development across cultural contexts: Comparing how craft can serve as a catalyst for placemaking, community cohesion, and local economic renewal across Europe, the UK, Japan, Taiwan, and beyond.
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Arts, design, and new value logics: Discussing how aesthetic practices, arts, design, and management can jointly shape organizational processes and business models with cultural depth and economic viability.
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Craft, sustainability, circular economy, and social innovation: Examining how craft practices may contribute to material circularity, responsible production, inclusive economies, and wider ESG-related agendas.
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Making and organizing: Investigating how tacit knowledge, embodied skill, and material engagement embedded in making may reshape our understanding of organizing and organizational innovation.
Key Discussion Points:
Please look out for the 2027 EGOS Standard Working Group on Craft and Emerging Forms of Organizing at the EGOS Website: https://www.egos.org/2027_Liverpool/General_Theme
Graduate Institute of Technology Management,
National Taiwan University of Science and Technology (NTUST)
Host
Co-organizers
UCL School of Management
Graduate School of Management, Kyoto University
The Academic Association for Organizational Science (AAOS), Japan
Centre for Aesthetics and Business Creativity (ABC-centre), Lund University School of Economics and Management
Sponsors
※More sponsors coming soon.